Curriculum Vitae

*1975, Melbourne, Australia

 

Biography

2011

  • Guest Professor, University of the Arts (UdK), Berlin

2006                                   

  • MA Fine Art, Chelsea School of Art and Design, London

2002 - 2004                       

  • Master of Visual Art, South Australian School of Art

1999 - 2004   

  • Lecturer, Adelaide Central School of Art

1993 - 1996                         

  • BA, (Fine Art), Victorian College of the Arts, Melbourne

1992                                    

  • Advanced Certificate of Art and Design, Royal Melbourne Iinstitute of Technology, Melbourne

 

Selected Solo Exhibitions

2017

  • flovien Ffollies, Semjon Contemporary, Berlin

2015

  • flovien Ffollies, (Solo presentation with Semjon Contemporary) Art Bodensee, Austria

2013

  • mad odor roses, Semjon Contemporary, Berlin

2011

  • hoi polloi, Semjon Contemporary, Berlin

  • Galerie Carolyn Heinz, Hamburg (with Katharina Büche)

2010

  • Callooh! Callay!, Künstlerhaus Bethanien, Berlin

  • manxome foe, Greenaway Art Gallery, Adelaide

2008

  • all mimsy were the borogoves, and the mome raths did outgrabe, KoCA -Weimar

2007

  • crash test at seth’s arc, Greenaway Art Gallery, Adelaide

  • lionel lustily lit sullen oil, Box, Berlin

  • clarkey’s call, Conny Dietzschold Gallery, Sydney

  • fred’s foible, Kiosk Shop, Berlin

2005

  • where celia sticks it to stanley, Greenaway Art Gallery, Adelaide

2004

  • little big things, Conny Dietzschold Gallery, Sydney

2003

  • stanley, beatrice and friends, Greenaway Art Gallery, Adelaide

2002                                   

  • lionel, The Project Space, Contemporary Art Centre of South Australia

2001                                   

  • sweet violet, Greenaway Art Gallery, Adelaide

2000                                  

  • Adelaide Central Gallery

  • roundhouse, 220 Hindley St, Adelaide

1998                                  

  • Adelaide Central Gallery

 

Selected Group Exhibitions

2016

  • Bei Wu Sculpture Park, Wesenberg, Germany

  • Nulla Dies Sine Linea, Satellite, Berlin

  • Papierverliebt #2, Galerie Carolyn Heinz,  Hamburg

  • Papierverliebt #1, Galerie Carolyn Heinz,  Berlin

2015   

  • Graphitomorphe, Kunstraum t27, Berlin                         

  • Based on Drawing. Inaugural exhibition at Satellite, Berlin

  • Australia in Berlin. Australian Embassy, Berlin

  • Video Platform 15. Art Stage Singapore

2014                                 

  • Lieber Künstler, zeichne mir! - Part 2: Figuration, Illustration, Notation und Zeichen, Semjon Contemporary, Berlin

  • Lieber Künstler, zeichne mir! Part 1: Abstraktion, Konkretion, Notation und Struktur, Semjon Contemporary, Berlin2012                                  

  • FLYING, Künstlerhaus Bethanien, Berlin

  • SNO@BHO, Ballhaus Ost, Berlin

  • at the parkhaus, Parkhaus Projects, Berlin (Curator)

2011                                    

  • The Way Things Move, Parkhaus Projects, Berlin

  • Drawn to Drawing, Galerie Carolyn Heinz, Hamburg

 

2010                                   

  • From the Nipple to the Bottle, Never Satisfied, Nadania Idriss Contemporary, Berlin

  • Resume / Choice of (I), Kioskshop, Berlin

  • Generationen II - abstract konstruktiv gegenstandslos, Kunsthalle Brennabor, Germany

  • Satellit #1 – auf Papier, Galerie Axel Obiger, Berlin

  • Press Pause, Parkhaus Projects, Berlin

2009

  • Zombie Kunsthalle, Berlin

  • Fine Art Services, Adalbertstr.9, Berlin

2008

  • go you little dynamo, go, Adelaide Festival of the Arts major commission

2007

  • DLA Piper Art Award, Sarah Myerscough Fine Art, London

  • Art Cologne, (Conny Dietzschold Gallery)

2006

  • Video Invitational #3 (video in tutti i sensi), ViaFarini, Milan

  • Soundworks, Triangle Space, Chelsea College of Art and Design, London

  • Susak Expo 2006. Susak Island, Croatia

  • MA Show, Chelsea College of Art and Design, London

  • Art (212), (Greenaway Art Gallery), New York

  • New Talents (Foerderkoje), Art Cologne (Conny Dietzschold Gallery)

  • There’s no place like home, Homestead Gallery, London

2005

  • Rohkunstbau Xll (kinderszenen), Schloss Gross Leuthen, Germany

  • Australia Art, Conny Dietzschold Gallery, Cologne

2004

  • rec/play/pause, N-Gallery, University of South Australia

  • mind’s eye, Hazelhurst Regional Gallery and Arts Centre, NSW

  • Melbourne Affordable Art Fair, (Greenaway Art Gallery), Royal Exhibition Building

  • Sydney Affordable Art Fair, (Conny Dietzschold Gallery), Fox Studios, Sydney

  • Cologne Artfair, Conny Dietzschold Gallery, Sydney/Cologne

2003

  • SALA, Art Gallery of South Australia

  • Arts SA SALA Windows, Adelaide (in collaboration with Johnnie Dady)

  • Sydney Affordable Art Show, (Greenaway Art Gallery), Fox Studios, Sydney

  • Moving Image, Mercury Cinema, Adelaide

  • Surface, liverpool St. Gallery, University of South Australia

  • Australia Art, Conny Dietzschold Gallery, Cologne

  • Cologne Artfair 2003, Conny Dietzschold Gallery, Sydney/Cologne

2002

  • Freedman Foundation Awards Exhibition, Sir Hermann Black Gallery, Sydney

  • The Melbourne Art Fair, (Greenaway Art Gallery), Royal Exhibition Building, Melbourne

2001

  • Blanc, Artspace, Adelaide Festival Centre

  • pre-fab, Riddoch Art Gallery, Mount Gambier

2000

  • Adelaide Festival Exhibition, Scotch College, Adelaide

1999

  • Central Studios, Adelaide Central Gallery

1997                                   

  • Just Add Water, North Adelaide School of Art

  • Emerging Visual Artist Awards (EVA), Adelaide

 

Awards

2011                                    

  • Australia Council for the Arts, New Work Grant

  • Artist in Residence, La Pree, France

2009                                   

  • Australia Council Studio Residency, Künstlerhaus Bethanien, Berlin

2007                                   

  • Pollock-Krasner Foundation grant

2006                                   

  • New Talents (Foerderkoje), Art Cologne

2005

  • Australia Council, Project Assistance – Rohkunstbau, Germany

2004                                   

  • Bank of Tokyo-Mitsubishi Japan/South Australia Award

  •  A.R.T. Residency Tokyo

  • Ann & Gordon Samstag International Visual Arts Scholarship

  • Schinkel Progressive Residency, Zentralburo, Berlin

  • Australia Council Studio Residency, Viafarini, Milan

2003                                   

  • Arts SA Project assistance grant

  • Helpmann Academy project assistance

2002

  • Martin Bequest traveling scholarship

2001                                   

  • SAYAB invitation at short notice

  • Australian Post Graduate Award (APA)

2000                                   

  • NAVA, Freedman Foundation Emerging Artist Scholarship

1997                                   

  • FH Faulding Central Studios Residency Scholarship

  • EVA Award, Adelaide

 

Collections

  • Artbank

  • FH Faulding

  • Art Gallery of South Australia

  • Ernst & Young Collection

  • Gallery of Modern Art (GOMA) Brisbane

  • Riddoch Art Gallery

  • Bendigo Art Gallery

 

Selected Publications

  • Elisabeth Weiss, Judith, Fix und Flux, Exhibition catalogue essay, mad odor roses, Semjon Contemporary, Berlin, 2013

  • Gorman, Louise. From A to B, Going the Distance. The Adelaide Review. P.36, April 2013

  • FLYING, Künstlerhaus Bethanien GmbH, Berlin, (group exhibition catalogue) 2012, ISBN: 978-3-941230-20-0

  • FUKT, Magazine for Contemporary Drawing, #11 - 2012

  • Tannert, Christoph, Harmonious Designs in Micro and Macro, (catalogue essay), 2010 ISBN: 978­3­941230­02­6

  • Mueller, Joerg. Michael Kutschbach, Australische Kultur Fruehling, 2010

  • Weisheit, Sascha. Michael Kutschbach, “Callooh! Callay!”, 2010 http://www.freeguide-berlin.de/kultur/michael-kutschbach-callooh-callay/06-04-2010.html

  • Nunn, Louise. Switched on by creative dynamo, The Advertiser, 24/2/08

  • Nunn, Louise. AdelaideNow to unveilpeek at defining visual art, The Advertiser, 24/10/07

  • Scott, Duann. Cartsen’s Modular re.strukt & Kutschbach at KoCA. 07/08 http://blog.ponoko.com/index.php?s=kutschbach

  • Scott, Duann. Interview with the Artist Michael Kutschbach. ibid

  • Jendricke, D. Crash test at seth’s arc. Catalogue Essay. Greenaway Art Gallery, 2007

  • Walker, Wendy. Basic forms simply inspired, The Australian, p.10, 16/4/07

  • Radok, Stephanie. Crash test at seth’s arc.  The Adelaide Review, p.15 27/4/07

  • Walker, Wendy. Michael Kutschbach (profile), Contemporary 2006 Annual, 2006

  • Hosseini, Varga. Michael Kutschbach: Surface in Flux, Australian Art Collector, issue 34 (October-November), p.241, 2005

  • Gisbourne, Mark. Scenes from childhood. Rohkunstbau 12 catalogue essay. 2005

  • Parth, Silke. Rohkunstbau, Kultura-Extra, www.kultura-extra.de/kunst/feull/rohkunstbau_kinderszenen_berlin2005.php 7/2005

  • Timms, Peter. Art In An Age Of Anxiety. Anne & Gordon Samstag International Visual Arts Scholarship Catalogue, 2004

  • Lloyd, Tim. Scholars Revealed, The Advertiser, p.75 8/11/2004

  • Clemow, Marika, Mind’s Eye, Catalogue essay. Hazelhurst Regional Gallery & Arts Centre 2004

  • Strickland, James. Young South Australian Art, Artlink, vol.24 no1, p.24-27

  • Strickland, James. mikey’s world, (his beau monde), stanley, beatrice and friends, Greenaway Art Gallery, 2003

  • Neylon, John. Michael Kutschbach, stanley, beatrice and friends, The Adelaide Review, p.18, 8/2003

  • Woodburn, jena. Blobs with Personality ,Realtime, August 2003, www.realtimearts.net/rt56/woodburn.html

  • Walker, Wendy. A lighter touch The Advertiser, p.81 19/7/2003

  • Woodburn, Jena. The Project Space Broadsheet, vol 32 no 1, p.30 2003

  • Bilske, Maria. Smart Art (Artist Profile), Australian Art Collector. issue 22 (October-November), p.93, 2002

  • Bilske, Maria. Luxe, Calme, Volupte and Something Else: Michael Kutschbach. Broadsheet, vol 31 no2, p.14 - 15, 2002

  • Walker, Wendy. Apocalyptic Vision The Advertiser, p.72 17/7/2001

  • Reid, Chris. Artist profile, ACSA website, www.acsa.sa.edu.au 05/2001

  • Dutkiewiez, Adam. Simply Abstract The Advertiser, p.68 5/4/2000

  • Dutkiewiez, Adam. Abstract Expressions The Advertiser, p.36 13/2/1998